Maturin Murray Page 14
"Yes, I know him well, and have reason to know him?"
"Who is he?"
"Mario."
"Mario again? Great Heaven!"
Two days afterward Count Borelloni sat in his study, musing upon the strange occurrences of the few past months. His thoughts dwelt upon Mario, who thrice had been his benefactor.
"I cannot account for it. How intense, how absorbing, how wonderful must be his love for my daughter. He has treated my scorn with kindness. When I forbade him the house, he never came here. I admire, I reverence so lofty a spirit!
"Where would I be now-where would my daughter be, if Mario had not been near to save us, if he, careless of his own life, had not been our preserver? I wondered before. Twice he had come before me-a genius-a preserver of myself and my child. Now he comes again and saves me. It is wonderful! I am overcome. Pride cannot resist such greatness of soul-such magnificent actions, and Stella adores him. I do not wonder at it. Shall I then refuse to make her happy? A few short years are all that remain of life to me. I wish to leave my child happiness as her best inheritance. I can make her happy now. I can make a return to Mario for his generous actions. I can make myself happy in the contemplation of their joy. All is over. Farewell pride. What is birth and wealth and pride, when compared to the glory of such illustrious actions?"
He sat down at his desk and wrote as follows:
"Mario, you have conquered. I have treated you with scorn and indignity. You have returned it with kindness. You have saved my own life twice, and twice have you saved the life of one for whose happiness I would die a thousand deaths. Mario, I reverence your lofty spirit. I admire such noble feeling-such bravery and generosity. Come to my home. It shall henceforth be yours also. Come to my heart, which is proud to love and honor you. Come, and Stella shall he the reward which you shall receive as the best and most priceless gift of the grateful BORELLONI."
He rose from his chair and called for Stella. She came to him speedily.
"Stella," said he, "I have at last found one to whom I can confide you, who will be your protector when I am gone. What do you say to that? You change color-you tremble."
"O father, why now? Why not wait for a time? I am young. I will not-I cannot leave you."
"You need not leave me. Your husband shall stay here, you both shall cheer my old age."
"Father, I—"
"Read this, my child."
Stella glanced at it, read it hurriedly, and in a transport of joy flung her arms about her father's neck and kissed him again and again, while the tears stood in his eyes as he embraced his daughter.
"Yes, Stella, all is over. I bow before him and do him honor. This shall go to him, and he will come here to receive his reward." He gave the letter to his servant, and again sat down to receive the thanks and witness the happiness of his daughter.
An hour passed away, and a messenger came from the duke bearing a letter to the Count Borelloni. It was a request that in an hour he should come to the Pitti Palace. "For," said he, "I have lately received as an accession to my paintings, a picture of such rare excellence, such exquisite beauty in conception, and wonderful skill in execution, that I set no bounds to my joy in obtaining it. Knowing your passion for art, I have sent to you this notice of its reception."
The count hastened to prepare for his departure. He wondered what was the nature of the piece of which the duke had spoken so highly.
"It must be a wonderful painting," said he, "for the duke is usually sparing in his praise. It is probably one of Rafaelle or Guido. Well, I will soon see it."
Stella felt a joy which words could not utter. She recollected all that Mario had told her of his picture, and of the duke's visit, of his flattering words of commendation-and she believed at once that his picture was the one he spoke of.
The count went off, and at the expiration of the hour entered the palace. He was received by the duke. He was led through the long suite of rooms where the splendor of royal magnificence is all unnoticed amid the charms of priceless paintings, for there the Madonna of Rafaelle tells of the boundless depths of a mother's love, and there Murillo's Madonna breathes forth virgin purity.
At length the duke stopped before a picture covered by a screen. He turned to the count, and saying, "Now Borelloni prepare for a surprise," drew aside the curtain which covered it.
The count started, for not among all the galleries of Italy, not among the priceless collections of Rome, had his eyes ever rested upon so wonderful, so living a picture! It was a living, a breathing form, which there, drawing aside a hanging, seemed to come forth to meet the gazer. Upon the countenance there was the perfection of ideal beauty. Loveliness, angelic, heavenly, was radiant upon the face, and that face was one well known to him, for Stella stood there, but Stella-glorified and immortal.
"Wonderful! Miraculous!" burst from his lips. "It is the creation of a god. It is not the work of man! Who is he? Where is he? The genius who formed this? How could it happen that it should be Stella, my daughter? Who is the artist?"
"He is here in the next apartment," said the duke, and going to the door he spoke to some one. He returned, leading the artist.
"This is he," said the duke. "Mario Fostello."
"Mario!" cried the count. "Mario, my preserver!" And he ran up to him and embraced him.
"Mario, is all forgotten? Forgive me. But I wrong you in asking it."
The duke looked on in wonder, and could not conceal his surprise. But the count begged him to excuse his emotion. "Would you know the cause of it?" said he.
"I am all curiosity."
The count then related all-told him of Mario's love for Stella, of his own pride, of Mario's actions. When it was ended, the duke, who had displayed the greatest emotion, arose and went to Mario.
"Never," he cried, "most noble youth-never have I heard of more generosity and greatness of soul. Happy is he who can call you his friend. But you shall not be neglected by me, for while I live, you will always have a friend. I honor your actions. I love your noble character."
Mario was overwhelmed by mingled emotions of happiness and confusion. Joy had rushed in upon him, like a torrent, and unable to speak, he could only express by his glance, the feelings of his soul.
"God bless you, my lord duke!" at length he cried. "God bless you, Count Borelloni! I am unworthy of such praise, but I can never forget your kindness to an obscure artist."
"An obscure artist? No, not so," answered the duke. "No longer obscure, you are the greatest in the land, and none shall call you otherwise. I name you count-and in a week your title shall be formally bestowed, so henceforth, Count Fostello, you may not be obscure."
A week afterward the palace of Borelloni was all festivity. Lights gleamed in dazzling rows within the long halls where all the flower of Tuscan nobility, and all the lords and barons and great men of other lands were assembled. For this was the day when the Count Fostello led to the altar the lovely Stella Borelloni. The Grand Duke condescended to be the head groomsman. The magnificent form and features of the noble artist were the admiration of all, and only equalled by the beauty of his bride.
The story of his love and constancy, of his wonderful actions and splendid achievements in the realm of art, was told to all, and the city rung with his praise. All courted his friendship. All of noble nature loved him for himself, and the baser spirits were compelled to do him homage, for in him they saw the man whom the duke "delighted to honor."
A TALE OF A CRUSADER. BY CHARLES E. WAITE.
CHAPTER I.
He whirls his sword, with unresisted rage,
When closely prest, the Christian bands engage
The high, the low, his equal prowess feel,
The bravest warriors sink beneath his steel.
JERUSALEM DELIVERED.
THERE sat a palmer within the old baronial banqueting hall of Percy Du Bois. The wassail had not yet begun, and there was a pause in the feast. All eyes were bent upon the travel soiled pilgrim,—for he was telli
ng a stirring tale of the martial deeds done in Palestine. The valiant Percy bent forward his anxious visage,—seamed by many a scar, gained in feudal broils and festive brawls,—and ever and anon burst forth, with uncontrollable excitement, into shouts of approval, as some daring achievement was recounted.
His leathern doublet was frayed and stained by the friction of often-tried armor, and in his richly studded belt glistened a diamond handled poniard. Around his massive settle stood servants to do his bidding, while at his side were two or three shaggy hounds, resting their chins upon their master's knee-now soliciting a caress, and now a share of the banquet. Next to the sturdy baron sat the fair Joan, his daughter. Her features were regular, and surpassingly beautiful, and her moist, dark eyes strained upon the palmer, were eloquent of the deep and passionate feelings of her heart. The cut and fashion of her habit were well calculated to exhibit the contour of a bust, and waist that would have triumphed over the strictest criticism of a sculptor or painter-connoisseur. From the multitudinous folds of an ample sleeve peeped forth a little jewelled hand, white as snow, and soft and round as a child's. The chair in which she reclined, was of massive oak, inlaid richly with ivory, and canopied with purple velvet, embroidered with, flowers of gold. Her foot-encased within the smallest shoe in Burgundy, and ornamented with a flashing jewel upon the instep-rested upon a footstool of massive oak, magnificently carved and inlaid.
Together with the baron and his daughter, there sat upon a dais, at the head of the board, several guests of distinction-all listening with intense eagerness to the tales of the exploits of the Crusaders, in battling for the holy sepulchre. Around the walls of the banquet-hall, were suspended the implements and spoils of war or the chase. Crossbows and hunting-spears, helmets and corselets, the tusks of the wild-boar and the antlers of the deer, were displayed in picturesque confusion upon the walls, and within the niches of the apartment.
"O, it was a glorious sight to see!" said the palmer, continuing his narration, while his eyes flashed, and his whole form dilated with enthusiasm. "The gorgeous trappings of the horses glistened in the sunbeams, pennons and banners flashed and fluttered in the wind, and the axes, and morions, and gorgets of polished steel, surging and plunging, as the chargers reared, made the Christian army appear like a billowy sea of silver sheen. Before them stood a host of turbaned Moslems, defending the gates of Jerusalem. The crescents upon their turbans gleamed, and long lines of myriads of scimitars offered a barrier of naked steel against the crusading host, which had come to rescue the Holy Sepulchre. I saw in the van of the Christian array, a knight locked in complete black steel, and enveloped in all the magnificent panoply of war. His charger was coal-black, compact, and of gigantic proportions. The harnessings were of cloth of gold, which swept the ground,—the bridle was sprinkled with stars and jewels,—and pendant from the bridle-rein were fringes of the most precious stones. He rode by the side of the Prince D'Olivar, and he sat in his saddle, as if he were a part of the animal that bore him so gallantly.
"'Advance,' shouted the prince. 'Now to rescue the tomb of the holy Jesus from the impious Saracen!'
"That splendid array moved quickly on, in all the pomp and magnificence of chivalry. Amid the fanfares of trumpets and clarions, the clashing of cymbals, and the shouts of thousands of spectators, they charged. Peal upon peal came the ringing of steel, as sabres crashed down through morion and gorget, or sword crossed with scimitar, in unending clang. Wherever rode the knight of the sable armor, the success of the Christians was signal and complete. His dark plume was seen floating wherever the turbans were thickest, and the conflict hottest. Right into the midst of the Moslem host did his impetuosity bear him, and the heathen throng swaying uncertainly for a moment, finally broke, and dispersed in universal flight, over the field. I saw him fighting single-handed, with a band of Saracens, who had checked their headlong flight to attack him,—and then the clouds of dust took him from my view.
"Just then, from amid the rabble-rout of infidels, there burst a small troop of Moorish horse. Swiftly they flew across the plain, hoping by dint of hoof to reach the city unscathed. Their silken mantles floated in the wind, as they spurred their horses to the top of their speed, and they preserved the finest order in their tumultuous flight. Before they had proceeded above a quarter of a league in their headlong course, a knight in armor left the Christian ranks, and started in pursuit. He was mounted upon a steed of blood and bone, and though the sand of the plain was hot and arid, and unfavorable in every respect for speed, yet his mettled horse bore him gallantly forward, and brought him nearer every instant to the foe. On he flies-at every stride he gains-spurs and harness jingle like the iron upon the smith's forge. The sand rolls up in huge folds behind his horse's heels-the polished steel flashes back the sunlight, as it penetrates the clouds of dust. Nearer and nearer he approaches,—madly plunged the horses of the Moslems as they strove vainly to reach the haven of safety-the walls of the holy city. It is useless. The knight has divined the object of their precipitate flight, as a stifled female shriek is borne to his ears, and nothing can exceed the impetuosity of his pursuit.
"'Turn, cowards! Deliver up to me the maiden!'
"On he thundered;-with a clang his sword leaped from the scabbard, and in an instant came crashing through a Moslem turban, and a Moslem skull-splitting them both in twain. Then the Moors turned. Sword strokes fell thick and fast, and nothing was heard but the clinking of iron, and nothing seen but the flashing of scimitars. Straight into the middle of the troop penetrated the knight, where supported fainting upon a rearing steed, was a beautiful Moslem lady.
"'Zelica, have courage! I come to save you!'
"The infidels tumbled from their horses, as the blows of the knight's good sword fell among them, and several sought safety in flight. Those who remained continued the combat desperately around the sinking maiden, as if determined to sell their captive's deliverance only with their lives. But four were left, and against these, who had drawn up in line, the knight was about to hurl himself, when a Templar, in armor glittering with jewels and gold, came scouring across a the plain, and mingled in the fight. But instead of of helping the hotly pressed knight, he cleft his morion by a dastard stroke from behind, and but for the thickly plated steel, would have thus ended his life upon the spot. The good knight was hurled dizzy from his steed upon the trodden field, and the Templar spurred against the Moors. His charger was fresh, and his blood was up, so he had but little difficulty in slaying the Infidels, and reaching the beautiful captive. Seizing her in his powerful arms, he was about to leave the spot, when 'Conrad,' burst from the maiden's lips, and the knight who had been prostrated by the felon blow, rose from the dust upon his knees, and hurled his gauntlet into the Templar's very face.
"'Stop!' he thundered. 'Release the lady, or fear the vengeance of Heaven!'
"The Templar's visor was up, and as the glove struck him, his face grew black with rage.
"'Conrad D'Amboise!' he shouted, 'your attempts to thwart my purposes are vain. Thus do I take vengeance upon you!' And plunging his spurs into his horse's sides, he would have rode him down. Yes," continued the palmer; his eyes sparkling with fire, and his whole frame quivering with the most intense excitement, "he would have trampled his bones in the dust beneath his horse's hoofs, had not the sable knight burst upon him like a thunderbolt, and checked him in mid career. The dastardly Templar turned to fly, but the sword of the black warrior flashed from its sheath, and with a single vault that dark charger stood directly before him.
"'Stand, and disgrace no longer chivalry!'
"The Templar closed his visor, and drew his blade. Sparks of fire were struck from the clashing metal, and tufts of crests were borne by the wind towards the walls of Jerusalem, as plumes were mutilated by the ringing weapons. I saw that Knight Templar thrice borne to the ground, by the powerful arm in the sable mail, and thrice arise again, like a phenix from its ashes, to renew the deadly struggle. As he recovered his seat the third time, alm
ost spent by his exertions, he threatened to plunge his sword into the heart of his senseless burden, unless the black knight desisted from the combat, and declared his motive for assailing him.
"'To wipe out the foul stain with which thou hast this day sullied the fair escutcheon of chivalry, in riding down a helpless Christian knight, and ravishing a defenceless maiden from the hands that alone have a right to protect her! I will give thee thy life on one condition, craven! Surrender up to me the maiden, and thou art free to depart! But enter not a foot again into the Christian camp. An army renowned as being the mirror of French chivalry cannot honorably harbor a miscreant like thee!'
"The form of the Templar quivered with rage. But his armor was split from helm to gorget—his horse bleeding and staggering with pain and terror, and certain destruction could be his only fate, if he continued the combat.
"'I yield to thy conditions, but when we meet again in fair field, I shall dictate the terms of surrender!'
"The black champion lifted, as if she had been an infant, the charming Zelica from the Templar's saddle-bow, and bore her senseless form to the unhorsed knight. The Templar rode slowly and sullenly away in the direction of the hills of Palestine, and I have never seen him since. It is reported that he has returned to France, and having renounced the oaths of his order, travels in the guise of a simple knight, doing deeds that dishonor chivalry, and render him universally odious. The dark mailed warrior has remained in Palestine for a long period, doing mighty deeds of valor, and sustaining the cause of Christ with his powerful arm; but he left the Holy Land about the time of my departure, and is now on his way home, to share the laurels bestowed upon the valiant defenders of the faith."
The palmer ceased. All eyes were still bent upon him, and all looked sorry that his tale had closed so soon.
"When did you leave the knight of the black armor?" asked the beautiful Joan, crimsoning to the temples as she put the simple question.